Mixing
Effects Mixing
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| GoldCrest - Dean Street Theatre |
Matthew has many long-standing relationships with some of the leading effects editors working in the UK today. He approaches effects and atmosphere mixing from a highly creative perspective, collaborating closely with the editorial team well-before going anywhere near a mixing stage. Knowing exactly what's "coming up" on the faders allows him to mix confidently under heavy pressure without any nasty surprises.
Lead Mixing
Matthew is quickly developing a reputation as a lead (music and dialogue) mixer, and his approach to this discipline is very similar to that of effects mixing. His background as an effects mixer means he is constantly focusing on the ‘soundscape’ of the film and ensuring that the nuances of the mix are in tune with the changing emotions of the action.
Creativity
His training as a classical musician, combined with the experience of making classical records, has given Matthew a unique focus on the power of sound as tool to manipulate the emotions of the listener. The opportunity to move the audience and tell a powerful story in the context of cinema, where the aural experience is often subconscious, is Matthew’s primary motivation.
In short, his focus is on mixing with his ears and his soul, not technology and fancy equipment (though when it comes to equipment he naturally demands the very highest standards...)
Technology
Matthew is fluent with the major film mixing consoles, including the AMS-Neve DFC; Euphonix System 5; and the Harrision Series 12. He is also experienced in use of the Digidesign ICON series, for both final mixing smaller projects and pre-mixing larger scale films.